Current Exhibition
Werner Büttner
He, Who Does Not Thrash Painting, Hates Painting!
2025.11.22 - 12.22
Triumph Gallery is pleased to present “He, Who Does Not Thrash Painting, Hates Painting!”, a latest solo exhibition of German artist, Werner Büttner, from November 22 to December 22, 2025. Curated by Thomas Eller, this exhibition features over 20 major works, comprising a comprehensive overview of the artist’s prolific career spanning from 1979 to 2024, demonstrating the unique power of art as a tool for critique.Born in Jena in 1954, Werner Büttner is a key figure in the German art scene of the late twentieth century. With his close friends, Martin Kippenberger and Albert Oehlen, he formed a strong presence, emerging in the late 1970s, projecting a sense of (sometimes dark) humor that was intended to shake up and invigorate an art scene steeped in rigid conceptualism. Their “joy of (bad) painting” became an inspiration for a new generation of artists and “electrified” a whole generation of younger painters, like Daniel Richter and Jonathan Meese, both his students. Looking at Büttner’s paintings at first is a puzzling experience. He often uses metonymic strategies (exchanging one word/image for a similar one), or metaphors (exchanging one word/image for something else completely). In other words, images become shields of sorts, that protect and insulate the factual, or emotional core from the harshness of reality. This has become Büttner’s artistic methodology and visual language which he applies to all aspects of human life. There seem to be two reoccurring traits in his work, deep irony that cautions you to never believe in anything you see, and a deep desire to keep meaning alive, despite its obvious dangers. Werner Büttner is a believer, a believer in nothing. He sees the world and its references as a quarry of sorts, from where he receives the building blocks of his pictorial world, and he sees connections where no one else has looked. 
Current Exhibition
Guan Yinfu
2718 kg
2025.11.13 - 01.11
Triumph Gallery artist Guan Yinfu present his latest solo exhibition, "2718 kg," at Long Museum (West Bund) on November 13, 2025. Curated by Cui Cancan, the exhibition feature over twenty pieces created by the artist in recent years.The exhibition “2718 kg” takes its name from the literal weight of the works it presents. It speaks of gravity not only as a physical measure but as an enduring metaphor for the essence of being and creation. The exhibition unfolds in three sections, tracing Guan’s artistic practice over the past five years. In the Color Series, we see how he explores the fundamental questions of painting—color, form, volume, and weight—and how, upon this foundation, a spiritual dialectic between content and form, reality and imagination emerges. These universal reflections then return to his personal subjectivity—to his life, experiences, and environment, and to his conscious engagement with cultural identity. In the monumental Black and White Series, Guan draws upon his long-standing sensibilities rooted in expressionism and stage design to forge a Chinese philosophical meditation on black, gray, and white, exploring the relationships among materiality, force, emptiness, and drama. His works thus exist between painting, design, relief, and stage, blurring the boundaries among image, object, and space.In the final section of the exhibition, Guan turns to the simplicity and essence of black, seeking to construct a perceptual system that stands in contrast to the “white” of art history. Here, he invokes the spiritual symbolism contained within color: how, from the finite substance of matter, one might reach the infinite realm of spirit. Like the nature of darkness, black renders things hidden, blurred, and mysterious. It may also be said that black is born from an older, more inscrutable history, one that always carries a sense of premonition.
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